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THE ART OF THE GHOST STORY

Last night, as Storm Ophelia was whipping up the sands of the Sahara with her skirts – causing a bit of a storm on FB and predictions of the end of the world – I gave a talk to a Women’s Guild of St.Blane’s on my novel FOR MY SINS. They were a lovely audience – so sweet, intelligent and literate – not addicted to any kind of technology, and as a result, thoughtful and observant. Never dismiss people based on gender and age. If you are young, you will be elderly one day, and if you are a man, you might even become a woman one day. Well, mostly probably not… but my point is that a female audience with an average age of 70 is a brilliant audience. We all share the same issues, no matter what age, and when I talked about there being no concept of rape in 1567 when Mary was “abducted” by Bothwell, and that historians maybe missed that point over the years, you could have heard a pin drop.

Here are some more pics of other recent events – where I have been taking my workshop The Art of the Ghost Story to the masses, to the people, to the readers and writers of the future… (not the masses actually but Chryston High School for their Literacy Festival, and Portobello Book Festival where I was very excited by the fact I could have tea on the beach in the morning!)

Long Live Literacy and Librarians. Especially when they invite me to their schools and offer me home-baking. That’s always a plus in my book.

 

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A little bit of this…

This summer I have been doing quite a bit of this…

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while admiring this…

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a bit of this…

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while listening to this…

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plenty of eavesdropping in places like…

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a little of this…

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and this…

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which was all inspiration for this…

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and this…

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When it rained I was very happy to do this…

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When the sun shone I did more of this…

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Took the mickey out of…

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at…

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but underneath it all, I was ever aware of this …

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which lead me to feel…

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and continued to write 30,000 words of another

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but this time it will be about …

a different person altogether…

 

 

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Call to all colleges and schools of Higher Education

I’m offering two workshop sessions to schools and colleges inspired by my latest novel FOR MY SINS, a historical novel about Mary, Queen of Scots, sitting in her prison cell at the end of her life, a prisoner to Queen Elizabeth, stitching her tapestries while being haunted by the ghosts of her past. It’s receiving 5 star reviews and has been quoted as “a masterclass in historical fiction.”

The first workshop – TENSIONS IN SCOTTISH HISTORY – will be a talk on Mary, Queen of Scots, and this period of Scottish History (1542-1587), the conflicts and tensions, together with a Q&A session. This is suitable for History students at Higher, Advanced Higher, and University level to help with engagement of the subject and bringing the topic to life in a memorable way.

The second workshop HOW TO WRITE A HISTORICAL NOVEL is suitable for Higher, Advanced Higher, and undergraduates and graduates of English and Creative Writing, and will explore the pleasures and pitfalls of writing historical fiction, offering 5 inspirational ways to make it work for you.

As well as being a writer I am also an experienced English teacher. I teach and mentor English students at Higher and Advanced Higher.

Please be in touch if you would like to arrange either or both of these workshops for your students.

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In which I share with you the blurb…

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So… why Mary? Well, because she had a talent for escaping, through tunnels and graveyards, on horseback, via boat, across silent lakes, through forests, across moorland. And, she was accused of murdering her second husband in order to marry her third…

The question is – is she or is she not the culprit of one of history’s unsolved murder mysteries? I think I know the answer to that one… and (just like most things in history, past, present and future) it’s not clear-cut.

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In which I talk about Mary…

01-for-my-sins-20mm-spineThis has been a pure labour of love, begun when I was 22, living in Edinburgh in a bedsit on Buccleugh Street, tramping the cobbles, in search of inspiration. That’s when my first drafts of this novel were written. Even back then in 1990 I called it FOR MY SINS, a quote from the very last letter of Mary, Queen of Scots (which I photographed in the museum), and I knew exactly who my Mary was – what her voice sounded like, what her insecurities and fears and hopes were, and her bravery. I knew what she felt, what she thought, what she regretted. I never thought I would see this novel published. I revisited it in later years, then my son Micah was born, then Martha, and life moved on. I didn’t forget about it – I knew it was a novel which should have seen the light of day and sat on bookshelves. I believe in it immensely even now – especially now. Two years ago, I opened a cupboard and it literally fell at my feet. Bouf! Don’t forget me. Now I have a cover I love, I’ve just sent off the dedication and acknowledgements to Fledgling, and it’s to be released in February. My first novel for adults – the first I ever wrote! I simply cannot tell you what this means to me… apologies for outburst of emotion! It’s been rewritten and rewritten, and this is its final form.

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My Review of WOLF HALL

It took me a while to read this, and its sequel BRING UP THE BODIES, but I did it. I finished both. Darkly intelligent, with such concise accuracy, Hilary Mantel has imagined the subtle nuances most of us would not have even thought about. She has explored a darkly maligned character in history – Thomas Cromwell – in such a way that she has brought him to life with all his flaws and virtues, describing him not as a monster but a man of his time, and even a man before his time, the father of modern democracy. The history we were taught at school is sometimes so different – a bad reputation sticks. I’m not saying he was an angel, because he wasn’t, but Hilary Mantel portrays him as human. I particularly like the way in which Cromwell is mocked by his aristocratic contemporaries for being a blacksmith’s son, and the way she touches on the class system here – which actually became more rigid and difficult to transcend or overcome in later centuries. Well worth the read even if you dip in and out because of sheer size of it. I left my bookmark in, and went back to it later, and was able to completely get back into the swing of it.

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